Mónica de Miranda is a Portuguese/Angolan visual artist, filmmaker and researcher whose interdisciplinary and research-based practice critically looks at the convergence of politics, gender, memory, space and history. Her work encompasses drawing, installation, photography, film and sound, placed on the boundaries between documentary and fiction. She investigates strategies of resistance, geographies of affection, storytelling and ecologies of care. Founder of Hangar (2014), an art and research centre in Lisbon. As an artist and co-curator of the project Greenhouse, she represented the Portugal Pavilion at La Biennale di Venezia 2024.